function thepagecsh() {
dom = document.getElementById("zyqh").getElementsByTagName("dl");
var str = "";
for(var i = 0; i < dom.length; i++) {
if(i == zyqhnumber) {
str += "<li onclick='ohpage(" + i + ")' class='sxs1'>" + (i + 1) + "</li>";
} else {
str += "<li onclick='ohpage(" + i + ")' class='sxs'>" + (i + 1) + "</li>";
}
}
document.getElementById("zyqhpg").innerHTML = str;
}
function clickpage(dz) {
if(dz < dom.length) {
dom1 = document.getElementById("zyqhpg").getElementsByTagName("li");
for(var i = 0; i < dom1.length; i++) {
dom1[i].className = 'sxs';
}
dom1[zyqhnumber].className = "sxs1";
}
}
从保持完美到偏爱真实,音综出圈神曲变了?
刘 萍:《给阿嬷的情书》,我们读懂了什么
《摇篮》:井冈星火耀舞台,余音袅袅叙深情
《看得见的敦煌》:把“敦煌”留在孩子心底
汤哲声:优秀的科幻小说该是什么样的?
“舞性的美感”并非杂技向舞蹈的让步
文学“破圈”,影视“加分”
守护稀有剧种,筑牢戏曲生态根基
饶晓志:电影留白没有标准答案
谈及尊严和体面,打开生与死的话题
做IP需要坚持原创精神
function thepagecsh() {
dom = document.getElementById("zyqh").getElementsByTagName("dl");
var str = "";
for(var i = 0; i < dom.length; i++) {
if(i == zyqhnumber) {
str += "<li onclick='ohpage(" + i + ")' class='sxs1'>" + (i + 1) + "</li>";
} else {
str += "<li onclick='ohpage(" + i + ")' class='sxs'>" + (i + 1) + "</li>";
}
}
document.getElementById("zyqhpg").innerHTML = str;
}
function clickpage(dz) {
if(dz < dom.length) {
dom1 = document.getElementById("zyqhpg").getElementsByTagName("li");
for(var i = 0; i < dom1.length; i++) {
dom1[i].className = 'sxs';
}
dom1[zyqhnumber].className = "sxs1";
}
}